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Modern garbage: an eco-critical perspective on trash, art, commodities, and Duchamp's Readymades

dc.contributor.authorGaudiana, Joseph
dc.date.accessioned2023-01-09T17:03:03Z
dc.date.available2023-01-09T17:03:03Z
dc.date.issued2022-12
dc.identifier.urihttp://hdl.handle.net/20.500.12648/8065
dc.description.abstractIn the twentieth century, trash was drastically re-invented to become a daily fixture of modern life. Art became increasingly difficult to define, while objects and commodities were produced like never before. Most of what I'm about to discuss in this thesis has to do with objects: whether categorized as trash, art, or commodityen_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literatureen_US
dc.subjectObjectsen_US
dc.subjectObjects in arten_US
dc.subjectArten_US
dc.subjectTrashen_US
dc.subjectEcocriticismen_US
dc.subjectDuchamp, Marcelen_US
dc.titleModern garbage: an eco-critical perspective on trash, art, commodities, and Duchamp's Readymadesen_US
dc.typeMasters Thesisen_US
dc.description.versionNAen_US
refterms.dateFOA2023-01-09T17:03:03Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentEnglishen_US
dc.description.degreelevelMAen_US
dc.date.semesterFall 2022en_US
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International