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dc.contributor.authorPennisi, Alex
dc.date.accessioned2018-07-03T15:39:18Z
dc.date.accessioned2020-06-22T14:32:38Z
dc.date.available2018-07-03T15:39:18Z
dc.date.available2020-06-22T14:32:38Z
dc.date.issued2018-06
dc.identifier.urihttp://hdl.handle.net/20.500.12648/775
dc.description.abstractThe intent of this thesis was inspired by the variety of interpretations of Ernest Hemingway’s fiction that have been influenced by words, metaphors, and symbols whose meanings have changed (and continue to change) over time. Writing within the language of their contemporary context and culture, all writers are vulnerable to future generations misinterpreting their writing; this fact speaks for itself in the footnotes of any critical edition of an author writing before the twentieth century. The twentieth century, though, is moving quickly towards a distant past. Almost 100 years after Hemingway began to publish his work, it is clear that the language and culture of the twenty-first century is undoubtedly different from the time for which Hemingway wrote.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literatureen_US
dc.subjectHemingway, Ernest, 1899-1961 -- Criticism and interpretationen_US
dc.titleNever the same iceberg: theories of omission, misinterpretation, and dead metaphors in Hemingway's worken_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:32:38Z
dc.description.institutionSUNY College at New Paltz
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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