The establishment of safety and trust in music therapy clinical supervision: an interpretive phenomenological analysis
Keyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::MusicResearch Subject Categories::SOCIAL SCIENCES::Social sciences::Psychology
Music therapy -- Study and teaching
Music therapists -- Supervision of
Music therapists -- Training of
Trust -- Psychological aspects
Date Published
2017-05Metadata
Show full item recordAbstract
This study presents the results of an interpretive phenomenological analysis on the establishment of safety and trust between the music therapy intern and their clinical supervisor. Four professional music therapists participated in semi-structured interviews, during which they reflected upon their experience in supervision. This method was chosen to access the lived experience of the participants. Literature from the perspective of music therapists explaining how safety and trust were formed in the supervisory relationship was not found, justifying the need for this study. Five themes emerged, each theme being a factor that affected the development of safety and trust between supervisee and supervisor. These themes are: context, supervisor investment, role dynamics, clarity, and intern identity. Each theme and its accompanying participant extracts were crosschecked by all participants. Safety and trust are considered to be important elements of the supervisory relationship, making it essential to inquire as to what influences their establishment. The results of this study may inform music therapy internship supervisors about establishing safety and trust with their interns based on what was helpful and hindering in the experience of these participants.Collections
The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States
Related items
Showing items related by title, author, creator and subject.
-
Creating community, home, and resources with music therapy: a program proposal for Family of WoodstockThe following is a proposal for the implementation of a music therapy program for adolescents experiencing homelessness within Family of Woodstock’s continuum of care. This proposal outlines the rationale and theoretical justification of this program as well as outlining the content and structure of the proposed music therapy services. This proposal includes descriptions of music therapy in general and how it has been implemented with this population in other programs. This program is designed to be implemented by one full-time music therapist and integrates with the existing services provided by the organization. The integration of a music therapy program is congruent with Family of Woodstock’s mission statement and organization goals.
-
An historical perspective of the unification of the american music therapy association: an oral historyThis paper is an historical look at the unification of the National Association of Music Therapy (NAMT) and the American Association for Music Therapists (AAMT) to form the American Music Therapy Association (AMTA). Historical documents and existing literature were examined to set the context for the event, including the histories of both previous associations. Three individuals who played significant roles in the process of unification were interviewed about the process of unification as well as its comparison to present day decisions. Their perspectives and experiences are presented in this paper.
-
A heuristic study on music-centered supervisionThis first-person study investigated how a music-centered (Modified Bonny Method of Guided Imagery and Music) supervision contributed to understanding the role of music therapy when working with clients diagnosed with a Disorder of Consciousness during a Masters Fellowship. Data was collected from three sources; a) transcriptions from Dr. Heather Wagner and Ms. Madelaine Ventre, b) personal experience, c) and mandalas drawn during the supervision session. This data was analyzed to answer the following research questions; “How does music-centered supervision help deepen my understanding of working with children diagnosed with Disorders of Consciousness?” and “What do my mandalas reveal about my experience working with children diagnosed with Disorders of Consciousness?” Qualitative methods of interrogation, interpretation, and triangulation were utilized in order to discover the answers to the research questions. Through careful analysis of the data, four themes were present during the music-centered supervision process: nurturance and containment, preparation, discomfort, and new energy. Each theme provided a deeper understanding to the various stages of the supervision process. This study also provides evidence of the benefits of music-centered supervision for music therapists, especially during their studies and training.
