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dc.contributor.authorPalermo, David
dc.date.accessioned2018-05-30T19:29:01Z
dc.date.accessioned2020-06-22T14:32:29Z
dc.date.available2018-05-30T19:29:01Z
dc.date.available2020-06-22T14:32:29Z
dc.date.issued2018-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/734
dc.description.abstractThe purpose of this phenomenological investigation is to obtain a comprehensive understanding of the experiences of five board-certified music therapists who underwent a personal crisis during a time when they were practicing music therapy. Data was collected through open-ended semi-structured interviews that took place over the telephone. Using Colaizzi's (1978) descriptive phenomenological method to analyze the interviews, three themes emerged: Onset of Personal Crisis, Coping, and Clinical Impact. Implications for this study include an increased awareness of the universality of the experience to prepare music therapists to better use their coping strategies.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Musicen_US
dc.subjectMusic therapyen_US
dc.subjectMusic therapistsen_US
dc.subjectCrisesen_US
dc.subjectPersonal crisisen_US
dc.subjectPhenomenologyen_US
dc.titleWhen the music therapist experiences a personal crisisen_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:32:29Z
dc.description.institutionSUNY College at New Paltz
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States