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dc.contributor.authorHardin, Jackson
dc.date.accessioned2022-06-03T15:52:28Z
dc.date.available2022-06-03T15:52:28Z
dc.date.issued2022-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/7227
dc.description.abstractDark Garden tells a story in images taken from my own experiences, images that communicate the murky interrelations of between people and the complex systems of life we are a part of, using art as a means of relaying these ideas and feelings telepathically to the viewer, a process ecocritical theorist Timothy Morton calls "spooky action at a distance" (Morton, 81). The images depict things I'm afraid to lose: people, places, environments, experiences, possibilities. The project describes how the body carries the anxiety associated with an uncertain climate future, and how the tension of premature grieving for imagined futures, vanishing species, and dying forests surfaces between people and their environments.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectPhotography Exhibitionsen_US
dc.subjectEcology in arten_US
dc.subjectEnvironment (Art)en_US
dc.subjectEcological arten_US
dc.subjectEcocriticismen_US
dc.titleDark garden: MFA Thesis - Photography and Related Mediaen_US
dc.typeMasters Thesisen_US
dc.description.versionNAen_US
refterms.dateFOA2022-06-03T15:52:29Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentPhotographyen_US
dc.description.degreelevelMFAen_US


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Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International