“Homespun” horror: Shirley Jackson’s domestic doubling

Phillips, Hannah

dc.contributor.author	Phillips, Hannah
dc.date.accessioned	2019-06-05T14:11:07Z
dc.date.accessioned	2020-06-22T14:32:23Z
dc.date.available	2019-06-05T14:11:07Z
dc.date.available	2020-06-22T14:32:23Z
dc.date.issued	2019-05
dc.identifier.uri	http://hdl.handle.net/20.500.12648/706
dc.description.abstract	My argument will begin by situating Jackson’s writing among gender studies (considering the nineteenth century and midcentury), Gothic literature, domesticity, and horror. I plan to address three of Jackson’s novels, Hangsaman, The Sundial, and We Have Always Lived in the Castle, through close readings of home spaces in the texts, relying on a term I will establish later in this paper as the “domestic double.”	en_US
dc.language.iso	en_US	en_US
dc.rights	Attribution-NonCommercial-NoDerivs 3.0 United States	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/us/	*
dc.subject	Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literature	en_US
dc.subject	Jackson, Shirley,1916-1965 -- Criticism and interpretation	en_US
dc.subject	Women and literature -- United States -- History -- 20th century	en_US
dc.subject	Horror tales, American -- History and criticism	en_US
dc.subject	Women authors
dc.title	“Homespun” horror: Shirley Jackson’s domestic doubling	en_US
dc.type	Thesis	en_US
refterms.dateFOA	2020-06-22T14:32:23Z
dc.description.institution	SUNY College at New Paltz
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