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dc.contributor.authorYang, Hee Joo
dc.date.accessioned2021-12-20T15:42:52Z
dc.date.available2021-12-20T15:42:52Z
dc.date.issued2021-12
dc.identifier.urihttp://hdl.handle.net/20.500.12648/7020
dc.description.abstractI am examining ways of understanding myself through objects by focusing on giving form to invisible embodiments of states like emotions, memories, and experiences. This allows me to explore the circumstances surrounding me and ask: Where do I get inspiration from? What do I hear and feel? How do I process the memories of everything I have been through? Exploring these unshaped things in my studio work allows me to give form to my accumulated experience over time. This work synthesizes and catalogs my relationship with myself through the objectification of invisible things.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectCeramicsen_US
dc.subjectSculpture Exhibitionsen_US
dc.subjectObjects in arten_US
dc.subjectMemory in arten_US
dc.subjectIdentity (Psychology) in arten_US
dc.titleStudio: the immersion: MFA Thesis - Ceramicsen_US
dc.typeThesisen_US
dc.description.versionNAen_US
refterms.dateFOA2021-12-20T15:42:53Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentCeramicsen_US
dc.description.degreelevelMFAen_US


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Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International