Personal therapy for a graduate student in the analytical music therapy model : a heuristic inquiry
Keyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::MusicResearch Subject Categories::INTERDISCIPLINARY RESEARCH AREAS::Caring sciences
Music therapy -- Study and teaching
Music therapy -- Research
Psychotherapy and music
Music -- Psychological aspects
Date Published
2020-05Metadata
Show full item recordAbstract
This heuristic inquiry explores my experience as a graduate student undergoing personal music therapy in the Analytical Music Therapy model. After reviewing 27 recordings of my sessions, I used self-dialogue to select five session recordings based on personal significance and examples of growth. The verbal processing of these sessions was transcribed and the musical improvisations were given detailed descriptions. I then re-listened to the sessions and noted significant experiences and patterns directly onto the transcripts and descriptions. After immersing myself in the transcripts and descriptions, I took notes regarding the relationships between session experiences and shifts in my daily awareness. These notes helped me discover areas that were developed through my process. They were defined as the following themes: connection, body awareness, musical awareness, intrapersonal awareness, and professional development. These themes provided a deeper understanding of the expansive experience of AMT, the influence of a student-client perspective on therapy, and the potential for professional development through AMT experiences. An arts-informed reflection provides a holistic understanding of my unique transformation through analytical music therapy.Collections
The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States
Related items
Showing items related by title, author, creator and subject.
-
An historical perspective of the unification of the american music therapy association: an oral historyThis paper is an historical look at the unification of the National Association of Music Therapy (NAMT) and the American Association for Music Therapists (AAMT) to form the American Music Therapy Association (AMTA). Historical documents and existing literature were examined to set the context for the event, including the histories of both previous associations. Three individuals who played significant roles in the process of unification were interviewed about the process of unification as well as its comparison to present day decisions. Their perspectives and experiences are presented in this paper.
-
Creating community, home, and resources with music therapy: a program proposal for Family of WoodstockThe following is a proposal for the implementation of a music therapy program for adolescents experiencing homelessness within Family of Woodstock’s continuum of care. This proposal outlines the rationale and theoretical justification of this program as well as outlining the content and structure of the proposed music therapy services. This proposal includes descriptions of music therapy in general and how it has been implemented with this population in other programs. This program is designed to be implemented by one full-time music therapist and integrates with the existing services provided by the organization. The integration of a music therapy program is congruent with Family of Woodstock’s mission statement and organization goals.
-
A heuristic study on music-centered supervisionThis first-person study investigated how a music-centered (Modified Bonny Method of Guided Imagery and Music) supervision contributed to understanding the role of music therapy when working with clients diagnosed with a Disorder of Consciousness during a Masters Fellowship. Data was collected from three sources; a) transcriptions from Dr. Heather Wagner and Ms. Madelaine Ventre, b) personal experience, c) and mandalas drawn during the supervision session. This data was analyzed to answer the following research questions; “How does music-centered supervision help deepen my understanding of working with children diagnosed with Disorders of Consciousness?” and “What do my mandalas reveal about my experience working with children diagnosed with Disorders of Consciousness?” Qualitative methods of interrogation, interpretation, and triangulation were utilized in order to discover the answers to the research questions. Through careful analysis of the data, four themes were present during the music-centered supervision process: nurturance and containment, preparation, discomfort, and new energy. Each theme provided a deeper understanding to the various stages of the supervision process. This study also provides evidence of the benefits of music-centered supervision for music therapists, especially during their studies and training.
