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dc.contributor.authorTomicic, Emma
dc.date.accessioned2020-05-12T12:40:00Z
dc.date.accessioned2020-06-22T14:32:13Z
dc.date.available2020-05-12T12:40:00Z
dc.date.available2020-06-22T14:32:13Z
dc.date.issued2020-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/661
dc.description.abstractBy reading Kundera’s novel and its message through a Derridean lens, we can see that they are linked in their theories about language. Through his approach to language and the history of it, Jacques Derrida coined the terms “deconstruction” and “différance.” The two are rooted in presenting the fallacies of ascribing neat definitions to words and reading words out of context. A closer analysis of the emotions and actions of these four characters through Derrida’s work can show us how Kundera is encouraging readers to re-evaluate the value systems we place on language. To begin the discussion of The Unbearable Lightness of Being , I want to analyze how deconstruction functions in the novel: différance; the deconstruction of binaries (and the paradoxes in value systems placed on binaries); and, finally, polysemy and understanding.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Literatureen_US
dc.subjectKundera, Milan -- Criticism and interpretationen_US
dc.subjectDerrida, Jacquesen_US
dc.subjectDeconstructionen_US
dc.subjectLiterature -- History and criticism -- Theory, etcen_US
dc.title“Disturbing the Tranquility” of meaning: the unbearable lightness of language in Milan Kundera’s The Unbearable Lightness of Beingen_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:32:13Z
dc.description.institutionSUNY College at New Paltz
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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