“Disturbing the Tranquility” of meaning: the unbearable lightness of language in Milan Kundera’s The Unbearable Lightness of Being
Average rating
Cast your vote
You can rate an item by clicking the amount of stars they wish to award to this item.
When enough users have cast their vote on this item, the average rating will also be shown.
Star rating
Your vote was cast
Thank you for your feedback
Thank you for your feedback
Author
Tomicic, EmmaKeyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::LiteratureKundera, Milan -- Criticism and interpretation
Derrida, Jacques
Deconstruction
Literature -- History and criticism -- Theory, etc
Date Published
2020-05
Metadata
Show full item recordAbstract
By reading Kundera’s novel and its message through a Derridean lens, we can see that they are linked in their theories about language. Through his approach to language and the history of it, Jacques Derrida coined the terms “deconstruction” and “différance.” The two are rooted in presenting the fallacies of ascribing neat definitions to words and reading words out of context. A closer analysis of the emotions and actions of these four characters through Derrida’s work can show us how Kundera is encouraging readers to re-evaluate the value systems we place on language. To begin the discussion of The Unbearable Lightness of Being , I want to analyze how deconstruction functions in the novel: différance; the deconstruction of binaries (and the paradoxes in value systems placed on binaries); and, finally, polysemy and understanding.Collections
The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States