The 'Art' of Majesty: Displaying the Stuart Monarchy, 1603-1714
dc.contributor.advisor | Martin, Morag | |
dc.contributor.advisor | Schutte, Kimberly | |
dc.contributor.advisor | Martin, Morag | |
dc.contributor.author | Louis-Broyld, Fabrice | |
dc.date.accessioned | 2021-09-08T14:06:23Z | |
dc.date.available | 2021-09-08T14:06:23Z | |
dc.date.issued | 2014-04-01 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12648/6482 | |
dc.description.abstract | After the much beloved, but single and childless, Elizabeth Tudor, the Stuarts of Scotland were next in line for the throne of England. They came to power in a century of political change fo the Monarchy. The 'Art' of Majesty looks at how the Stuarts attempted to display itself to the world. Serving a more political rather than artistic purpose, these portraits hide much more than they reveal. At a time when the Monarchy needed to project idealized images of majesty, it is these hidden stories which are often the most valuable. | |
dc.subject | Stuart | |
dc.subject | England | |
dc.subject | Art | |
dc.subject | Majesty | |
dc.subject | Portraiture | |
dc.subject | Royalty | |
dc.subject | Monarchy | |
dc.subject | Kings | |
dc.subject | Queens | |
dc.subject | Princes | |
dc.title | The 'Art' of Majesty: Displaying the Stuart Monarchy, 1603-1714 | |
dc.type | thesis | |
refterms.dateFOA | 2021-09-08T14:06:23Z | |
dc.description.institution | SUNY Brockport | |
dc.description.department | History | |
dc.description.degreelevel | Master of Arts (MA) | |
dc.source.status | published | |
dc.description.publicationtitle | History Master's Theses | |
dc.contributor.organization | The College at Brockport | |
dc.languate.iso | en_US |