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dc.contributor.advisorMartin, Morag
dc.contributor.advisorSchutte, Kimberly
dc.contributor.advisorMartin, Morag
dc.contributor.authorLouis-Broyld, Fabrice
dc.date.accessioned2021-09-08T14:06:23Z
dc.date.available2021-09-08T14:06:23Z
dc.date.issued4/1/2014
dc.identifier.urihttp://hdl.handle.net/20.500.12648/6482
dc.description.abstractAfter the much beloved, but single and childless, Elizabeth Tudor, the Stuarts of Scotland were next in line for the throne of England. They came to power in a century of political change fo the Monarchy. The 'Art' of Majesty looks at how the Stuarts attempted to display itself to the world. Serving a more political rather than artistic purpose, these portraits hide much more than they reveal. At a time when the Monarchy needed to project idealized images of majesty, it is these hidden stories which are often the most valuable.
dc.subjectStuart
dc.subjectEngland
dc.subjectArt
dc.subjectMajesty
dc.subjectPortraiture
dc.subjectRoyalty
dc.subjectMonarchy
dc.subjectKings
dc.subjectQueens
dc.subjectPrinces
dc.titleThe 'Art' of Majesty: Displaying the Stuart Monarchy, 1603-1714
dc.typethesis
refterms.dateFOA2021-09-08T14:06:23Z
dc.description.institutionSUNY Brockport
dc.description.departmentHistory
dc.description.degreelevelMaster of Arts (MA)
dc.source.statuspublished
dc.description.publicationtitleHistory Master's Theses
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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