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Author
Drexel, AnnaKeyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::ArtHuman connection
Art metal-work Exhibitions
Jewelry Exhibitions
Intimacy
Date Published
2015-05
Metadata
Show full item recordAbstract
"This work explores feelings of intimacy and vulnerability through devicelike objects that explore varying degrees of intense physical contact. With the act of contact comes the risk of collision, and with collision comes the risk of damage. Utilizing porcelain, whose physical presence is one of fragility, the fear of their breakability is evoked. While not necessarily precious, porcelain is a material associated with the fine domestic space. Whether it be in the form of a shattered vase, or a chipped tea cup, the fragility of porcelain is a base characteristic of the material. When a ceramic object is broken, it becomes evident to everyone around as it shatters, and makes a scene. Sometimes it is just a chip, or a small crack, only seen by the breaker. Similarly, when two people grow to have a close connection, one might notice small changes in one another that are not evident to other people. The porcelain suites this body of work due to its function on the body with the action of two people being physically close to one another. Unlike conventional jewelry, the work cannot be secured onto the body or clothing. If one wearer steps away, the suddenly unsupported work will fall down and break." -- page 3Accessibility Statement
If this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.eduThe following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States