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dc.contributor.authorSanderson, Andy
dc.date.accessioned2021-09-07T22:18:33Z
dc.date.available2021-09-07T22:18:33Z
dc.date.issued4/1/2007
dc.identifier.urihttp://hdl.handle.net/20.500.12648/6224
dc.descriptionAbstract created by repository to aid in discovery.
dc.description.abstractForm, stated as a critical component of poetry writing in “alchemic” combination with image, word choice, and resonance, as they bear on the creative writing process, is explored in this critical and creative thesis project. The poetic voice as it is informed by "Sanderson's Four Axioms,” (named above – form, image, word choice, resonance) are revealed through examples of published poets, critical suggestions, and original poetry. The creative work is written in a variety of traditional and non-traditional forms primarily focused on the author’s personal experiences as a lifelong resident of Western New York. In essence, the creative section presents a series of eclogues that explore voice in both its stylistic and thematic manifestations.
dc.subjectCreative Writing
dc.subjectPoetry
dc.subjectForm And Craft
dc.subjectTeaching
dc.titleSinging the Song of the Eunuch
dc.typethesis
refterms.dateFOA2021-09-07T22:18:33Z
dc.description.institutionSUNY Brockport
dc.description.departmentEnglish
dc.description.degreelevelMaster of Arts (MA)
dc.source.statuspublished
dc.description.publicationtitleEnglish Master’s Theses
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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