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Author
Rony, ChantieKeyword
Painting ExhibitionsLandscape
Aesthetics
Duality
Silent
Daoism
Nature
Transcendental
Spiritual space
Material
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art
Date Published
2016-05
Metadata
Show full item recordAbstract
The Silent Song, the body of works in my thesis exhibition, intends to praises the lyric quality of nature and also implies a duality – the melancholy and ephemerality hidden behind the seeming serenity or vitality of the natural world. Extreme beauty is silent. With the heart to listen to the mute melody from nature, I put my contemplation of life into my art, and enlightened by the philosophy of Daoism, I liberate painting material and integrate pictorial landscapes and painterly abstraction to explore my own version of landscape painting. The process of my painting mimics the landscape that is produced with the help of both - the contributions of human beings and the superlative craftsmanship of nature.Accessibility Statement
If this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.eduThe following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States