Average rating
Cast your vote
You can rate an item by clicking the amount of stars they wish to award to this item.
When enough users have cast their vote on this item, the average rating will also be shown.
Star rating
Your vote was cast
Thank you for your feedback
Thank you for your feedback
Author
Leppo, MaiaKeyword
Jewelry ExhibitionsArt metal-work Exhibitions
Cultivation
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art
Date Published
2015-05
Metadata
Show full item recordAbstract
The modern era can be characterized as a constant stream of updates and upgrades. Our technological advancements, in particular, are continuously reiterated with newly invented tools, hardware upgrades, and software updates. In medical science, progress provides new treatments and cures for existing diseases, and with this, new doors have been opened regarding genetic interventions for both prevention and treatment of various conditions. Regarding this progress, ethicists Ingmar Persson and Julian Savulescu have raised new questions about our moral imperative to change and to improve. In this era of constant, so-called improvements, what are we looking for? How can we define success and who is qualified to do so? Is there a point at which our improvements ultimately become a hindrance? Science writer J. B. MacKinnon brings up similar questions about human interaction in nature. Persson and Savulescu’s ideas regarding human augmentation, coupled with MacKinnon’s research on evolutionary disruptions in nature have prompted my own exploration of new possibilities for natural motifs in body adornment and to question the idea of improvement.Accessibility Statement
If this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.eduThe following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States