Four: MFA Thesis- Printmaking
dc.contributor.author | Mino, Nicholas J. | |
dc.date.accessioned | 2017-05-22T15:24:26Z | |
dc.date.accessioned | 2020-06-22T14:31:48Z | |
dc.date.available | 2017-05-22T15:24:26Z | |
dc.date.available | 2020-06-22T14:31:48Z | |
dc.date.issued | 2017-05 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12648/588 | |
dc.description.abstract | Employing the characteristics associated with the imagery of The Four Horsemen of the Apocalypse, I interrogate the status of our current environment. Focusing on recognizable motifs that represent our interconnected social and environmental concerns, I translate the original visualization of The Four Horsemen of the Apocalypse through a series of traditional and nontraditional print installations. Organic and inorganic materials incorporated into each installation relates the history of the horse depicted to the specific crisis of apocalyptic proportion that has influenced its creation. | en_US |
dc.description.sponsorship | Graduate Student Research and Creative Project Award | en_US |
dc.language.iso | en_US | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art | en_US |
dc.subject | Printmaking Exhibitions | en_US |
dc.subject | Relief printmaking | en_US |
dc.subject | Large-scale woodblock prints | en_US |
dc.subject | Authoritative oppression | en_US |
dc.subject | Genetically modified organisms | en_US |
dc.subject | Climate change | en_US |
dc.subject | Prints Exhibitions | en_US |
dc.title | Four: MFA Thesis- Printmaking | en_US |
dc.type | Thesis | en_US |
refterms.dateFOA | 2020-06-22T14:31:48Z | |
dc.description.institution | SUNY College at New Paltz | |
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