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dc.contributor.authorMino, Nicholas J.
dc.date.accessioned2017-05-22T15:24:26Z
dc.date.accessioned2020-06-22T14:31:48Z
dc.date.available2017-05-22T15:24:26Z
dc.date.available2020-06-22T14:31:48Z
dc.date.issued2017-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/588
dc.description.abstractEmploying the characteristics associated with the imagery of The Four Horsemen of the Apocalypse, I interrogate the status of our current environment. Focusing on recognizable motifs that represent our interconnected social and environmental concerns, I translate the original visualization of The Four Horsemen of the Apocalypse through a series of traditional and nontraditional print installations.  Organic and inorganic materials incorporated into each installation relates the history of the horse depicted to the specific crisis of apocalyptic proportion that has influenced its creation.en_US
dc.description.sponsorshipGraduate Student Research and Creative Project Awarden_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectPrintmaking Exhibitionsen_US
dc.subjectRelief printmakingen_US
dc.subjectLarge-scale woodblock printsen_US
dc.subjectAuthoritative oppressionen_US
dc.subjectGenetically modified organismsen_US
dc.subjectClimate changeen_US
dc.subjectPrints Exhibitionsen_US
dc.titleFour: MFA Thesis- Printmakingen_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:31:48Z
dc.description.institutionSUNY College at New Paltz
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States