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Author
Mino, Nicholas J.Keyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::ArtPrintmaking Exhibitions
Relief printmaking
Large-scale woodblock prints
Authoritative oppression
Genetically modified organisms
Climate change
Prints Exhibitions
Date Published
2017-05
Metadata
Show full item recordAbstract
Employing the characteristics associated with the imagery of The Four Horsemen of the Apocalypse, I interrogate the status of our current environment. Focusing on recognizable motifs that represent our interconnected social and environmental concerns, I translate the original visualization of The Four Horsemen of the Apocalypse through a series of traditional and nontraditional print installations. Organic and inorganic materials incorporated into each installation relates the history of the horse depicted to the specific crisis of apocalyptic proportion that has influenced its creation.The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States