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dc.contributor.authorKim, Hongyoun
dc.date.accessioned2016-05-20T15:26:31Z
dc.date.accessioned2020-06-22T14:31:48Z
dc.date.available2016-05-20T15:26:31Z
dc.date.available2020-06-22T14:31:48Z
dc.date.issued2016-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/586
dc.description.abstractRecently I am obsessed with curiosity of sound. The mysterious and space-shifting nature of sound leads me into the new area of research in which I explore the making of sound through interactions with jewelry and between wearer (player) and viewer (hearer). The possibility of auditory experience, even with a small snippet of sound from objects, could transport the wearer and viewer across the multiple layers of meaning behind the objects, fading out the dominance of “visuality”; the preconceived notions of jewelry and adornment that make our eyes blind.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectSounden_US
dc.subjectJewelryen_US
dc.subjectArten_US
dc.subjectArt metal-work Exhibitionsen_US
dc.subjectHuman beings in arten_US
dc.subjectBody in arten_US
dc.subjectCage, Johnen_US
dc.subjectKim, Christine Sunen_US
dc.titleSound Out: MFA Thesis - Metalen_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:31:48Z
dc.description.institutionSUNY College at New Paltz
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States