Beyond Our Ideal Wonderland - Curioser and Curioser! : MFA Thesis - Printmaking
Keyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::ArtPrints Exhibitions
Paper works Exhibitions
Installations (Art) Exhibitions
Digital art Exhibitions
Mixed media (Art) Exhibitions
Intaglio
Screen prints
Digital prints
MemoryBrainDessertsSweetsMoodsImaginationDesire
Date Published
2016-05Metadata
Show full item recordAbstract
Currently unsatisfying reality makes us want to imagine living in our daydreams. Daydreams may even be more than just wishful explorations; they may be pricelessly useful. They are our rehearsals for future actions (Singer 119). They suggest new and alternative ways of dealing with reality, thereby offering us a chance to decide on a more effective approach to life.The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States
Related items
Showing items related by title, author, creator and subject.
-
Rock paper scissors: MFA Thesis - Painting & Drawing For me, making art is a ritualistic process bound up in observations of the material world. It speaks to my desire to interpret the world around me. How can spaces we consider "ordinary" allow an opportunity for transcendence? Can imagining a space or object from the point of view of a tree or forest animal, ruin/rune, or rock allow for a hidden world to filter through? Can we imagine the rituals that may have taken place in a particular location? I believe that our imaginations can offer an alternative perspective on what our conditioned minds tell us is real. By accepting the notion that magic exists all around, that the ordinary is actually extraordinary, we may connect to something greater than ourselves. I identify this as an illusory goal; a gesture of hope.
-
Collection/Dissection, a Cutaneous Autobiography: MFA Thesis - Painting & DrawingMasters in Fine Art Thesis for Artist Maria Vonn. This is a body of work that uses contemporary digital processes in both painting and printmaking to create a body of work reflecting the relationship of the individual to their skin. More specifically, the final body of work is a collection of nude self portraits that show both the full figure as well as macro imagery of the artists skin, including tattoos, scars, hair growth, bruises, etc.
-
Art, objects, and memoriesAs humans, there are millions of factors that shape our identities. From culture, geographic location, and family life, to education, career path, and sexuality, every aspect of our lives make us who we are. For me, the work I make as an artist and a student is a result of my identity. I am a straight, half Japanese, half American, cisgendered woman, raised in the same small town for most of my life. My parents were married for over 25 years until they separated the summer before my senior year of high school. I am the third generation of my family to be living in the same childhood home. I was raised to appreciate nature, history, and to be more giving than those who gave to me. I attend a liberal college where I majored in art but took classes in history, philosophy, music, film, language, and culture. All of these things have affected my perspective of others, the world around me, and how my work fits into it. As a society that prides themselves on the things that they own and possess, what do the objects I create add? This exhibition highlights my life and how the objects I create are influenced by other objects, my identity and experiences.
