Closer Approximations: MFA Thesis - Metal
dc.contributor.author | Kellogg, Benjamin | |
dc.date.accessioned | 2018-05-23T22:13:47Z | |
dc.date.accessioned | 2020-06-22T14:31:44Z | |
dc.date.available | 2018-05-23T22:13:47Z | |
dc.date.available | 2020-06-22T14:31:44Z | |
dc.date.issued | 2018-05 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12648/574 | |
dc.description.abstract | My work is situated in a framework of practice and play—the result of an iterative process. Formal conclusions emerge as responses to self-imposed systems of making. I fabricate jewelry tangent to simple drawing programs developed in software. By hand, I interpret the systems that determine form in order to conceive new studio methods and wearable outcomes. I explore the conditions of making within craft, generative design, and the serial aspects of digital technologies. | en_US |
dc.language.iso | en_US | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art | en_US |
dc.subject | Art metal-work Exhibitions | en_US |
dc.subject | Computation | en_US |
dc.subject | Contemporary craft | en_US |
dc.subject | Contemporary jewelry | en_US |
dc.subject | Craft | en_US |
dc.subject | Digital | en_US |
dc.subject | Jewelry | en_US |
dc.subject | Jewelry Exhibitions | en_US |
dc.subject | Metal | en_US |
dc.subject | Metalsmith | en_US |
dc.subject | Play | en_US |
dc.subject | Processing | en_US |
dc.subject | Software | en_US |
dc.title | Closer Approximations: MFA Thesis - Metal | en_US |
dc.type | Thesis | en_US |
refterms.dateFOA | 2020-06-22T14:31:44Z | |
dc.description.institution | SUNY College at New Paltz | |
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