Nostalgia: MFA Thesis - Printmaking
dc.contributor.author | Lee, Geuryung | |
dc.date.accessioned | 2019-06-19T19:54:19Z | |
dc.date.accessioned | 2020-06-22T14:31:39Z | |
dc.date.available | 2019-06-19T19:54:19Z | |
dc.date.available | 2020-06-22T14:31:39Z | |
dc.date.issued | 2019-05 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12648/555 | |
dc.description.abstract | The process of my printing begins with the drawing of an image using ink and a brush on an acetate film. The act of drawing allows me to release my emotions and I experience a calmness, satisfaction and happiness. This is a form of spiritual practice. I learned calligraphy when I was young and when I use sumi ink now, I am brought back to my childhood. The images in my drawings originated from Korean; I was born and raised in Korea and my native language is Korean. Making drawings like this is a longing for my language, an unconscious gesture. Since completing my undergraduate studies in the United States, I have not resolved the confusion towards my artistic identity that I felt since I was an undergraduate student. I still have to define it: one that exists somewhere between the complex histories of the East and West. | en_US |
dc.language.iso | en_US | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Art | en_US |
dc.subject | Prints Exhibitions | en_US |
dc.subject | Identity | en_US |
dc.subject | Printmaking Exhibitions | en_US |
dc.subject | Calligraphy Exhibitions | en_US |
dc.subject | Identity (Psychology) in art | en_US |
dc.title | Nostalgia: MFA Thesis - Printmaking | en_US |
dc.type | Thesis | en_US |
refterms.dateFOA | 2020-06-22T14:31:39Z | |
dc.description.institution | SUNY College at New Paltz | |
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