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dc.contributor.authorZhang, Mingqiu
dc.date.accessioned2017-05-22T15:04:35Z
dc.date.accessioned2020-06-22T14:31:39Z
dc.date.available2017-05-22T15:04:35Z
dc.date.available2020-06-22T14:31:39Z
dc.date.issued2017-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/554
dc.description.abstractI am exploring how humans balance positive desire and the avariciousness in our everyday lives. My work reveals the excess desire that will lead to human extinction. My inspiration begins with a famous ancient Chinese evil creature called Tao Tie. It is derived from Shan Hai Jing. The story depicts a mythological landscape from which Tao Tie emerges. Tao tie is depicted in many ways, but is always the image of greed. Nowadays, the Tao Tie image represents greediness and glutony. In Buddhism, desire is neither positive nor negative, but is understood as balance. Nothing remains positive when people don’t do things in moderation. In my work, I want to explore the precarious line between greed and healthy desire. In the book “Shan Hai Jing”, the Tao Tie, who was especially greedy for food, ended up eating its own body. In my work, the consequence of Tao Tie symbolizes the prediction of human greed. I utilized paper clay to create a three-dimensional figurative sculpture of Tao Tie as one part of my installation. This material has become a medium for me to describe the myth from history in my work. Tao Tie in Chinese contemporary culture not only means a monster, but also means a dinner which has all kinds of food. I combined the traditional sculpture of Tao Tie with an interactive component. The viewer is invited to sit at the table, hovered over by Tao Tie, and peer into a large bowl which contains a video. In the video I represent people “eating” all kinds of different unbalanced desires such as money, love, food, power, beauty, and health. I use the activity of eating material goods to express the subject of greed in my project. My installation symbolizes humans’ avaricious nature, which is destroying us.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectSculptureen_US
dc.subjectSpace in arten_US
dc.subjectMixed media (Art) Exhibitionsen_US
dc.subjectInstallations (Art) Exhibitionsen_US
dc.subjectHuman natureen_US
dc.subjectGreeden_US
dc.subjectFigurative sculptureen_US
dc.subjectDigital art Exhibitionsen_US
dc.subjectInteractive arten_US
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::History and philosophy subjects::History subjects::Book and library historyen_US
dc.subjectTao Tieen_US
dc.subjectShan Hai Jingen_US
dc.titleFeast: MFA Thesis - Sculptureen_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:31:39Z
dc.description.institutionSUNY College at New Paltz
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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