Culturally Responsive Teaching
Abstract
The idea of having Culturally Responsive Teaching has become wide spread. Colleges with Teacher Certification courses have a course to offer as a program requirement, people are gathering to discuss ideas for Cultural Responsiveness, and school districts are hiring experts in the field to help them implement this type of teaching pedagogy within their schools. We need to know what it means to be a Culturally Responsive Teacher. We need to know how to implement Culturally Responsive Teaching and how to identify it. Since this is occurring, it is also time to look into our own curriculum and make sure that it is culturally responsive.Collections
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Violence in Deaf Culture: My Story, My VoiceI am a survivor of domestic violence. I also am Deaf. Domestic violence is an aggressive behavior within the home, typically involving the violent abuse of a spouse or partner. It can come in many forms: physical, mental, verbal, and emotional abuse. Most commonly, domestic violence is targeted against women. I am sharing my story as a survivor because of my time in Vera House, which is a shelter for battered women. My time at Vera House fired my passion to correlate my personal experience and informative research to raise awareness by educating others about the unique needs of Deaf domestic violence survivors. I hope that my story will awaken the hearing community to the fact that Deaf victims need allies on their side to make a change for Deaf domestic violence survivors.
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Immigrant ProtestThe last decade has witnessed a global explosion of immigrant protests, political mobilizations by irregular migrants and pro-migrant activists. This volume considers the implications of these struggles for critical understandings of citizenship and borders. Scholars, visual and performance artists, and activists explore the ways in which political activism, art, and popular culture can work to challenge the multiple forms of discrimination and injustice faced by "illegal" and displaced peoples. They focus on a wide range of topics, including desire and neo-colonial violence in film, visibility and representation, pedagogical function of protest, and the role of the arts and artists in the explosion of political protests that challenge the precarious nature of migrant life in the Global North. They also examine shifting practices of boundary making and boundary taking, changing meanings and lived experiences of citizenship, arguing for a noborder politics enacted through a "noborder scholarship. "
