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dc.contributor.authorEom, Min Jae
dc.date.accessioned2020-05-26T15:47:37Z
dc.date.accessioned2020-06-22T14:31:36Z
dc.date.available2020-05-26T15:47:37Z
dc.date.available2020-06-22T14:31:36Z
dc.date.issued2020-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/548
dc.description.abstractEverything around us has been touched, used, cracked, broken – evidence that reveals an object’s existence ​and experience. I create simple surfaces and forms that when carried on the body, slowly gather traces of the wearer. The marks that are collected through these time-based works are not simply scratches, dents and stains; rather, they become a witness, a form of archive embodying the history and coexistence between user and object. These truly unique traces share a memory with the wearer, accumulating sentimental value and highlighting the most overlooked and intimate forms of contact.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectMetal Exhibitionsen_US
dc.subjectCompound transitionsen_US
dc.subjectMarks of useen_US
dc.subjectDamageen_US
dc.subjectInteractive contacten_US
dc.subjectMaterialityen_US
dc.subjectAccumulationen_US
dc.subjectVesselsen_US
dc.subjectJewelry Exhibitionsen_US
dc.titleTrace collectors: MFA Thesis - Metalen_US
dc.typeThesisen_US
refterms.dateFOA2020-06-22T14:31:36Z
dc.description.institutionSUNY College at New Paltz


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Attribution-NonCommercial-NoDerivs 3.0 United States
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States