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dc.contributor.advisorOakes, Stephanie
dc.contributor.authorBernat, Morgan
dc.date.accessioned2021-09-07T21:07:13Z
dc.date.available2021-09-07T21:07:13Z
dc.date.issued5/13/2016
dc.identifier.urihttp://hdl.handle.net/20.500.12648/4821
dc.description.abstractThis paper looks to combine the seemingly disparate worlds of dance and psychological theory to unravel the work of Israeli choreographer Ohad Naharin. The investigation hopes to further understand Naharin’s work beyond what is physically seen and what could potentially be felt by his dancers. Using one of Naharin’s most noted works as the subject of investigation, this paper questions if through the physically, mentally, emotionally challenging work of Naharin’s technique, Gaga, the physical practice of dance becomes a multi-faceted inquiry of the soul.
dc.subjectGaga
dc.subjectIntimacy
dc.subjectAbraham Maslow
dc.subjectOhad Naharin
dc.subjectTechnique
dc.subjectPsychology
dc.titleClimb into your skin: A Look at Personal Intimacy in Gaga Practice and Performance
dc.typethesis
refterms.dateFOA2021-09-07T21:07:13Z
dc.description.institutionSUNY Brockport
dc.description.departmentDance
dc.description.degreelevelMaster of Fine Arts in Dance (MFA)
dc.source.statuspublished
dc.description.publicationtitleDance Master’s Theses
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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