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dc.contributor.advisorOakes, Stephanie
dc.contributor.authorCaplan, Sara
dc.date.accessioned2021-09-07T21:07:11Z
dc.date.available2021-09-07T21:07:11Z
dc.date.issued7/1/2017
dc.identifier.urihttp://hdl.handle.net/20.500.12648/4814
dc.description.abstractThe process of creating a dance work can take a number of different forms dependent on the interests of the choreographer. However, all choreographic processes begin with an idea and develop using different analytical theories. This research explores the creative process from instinctive responses to movement, mediated via mirror neuron activation during the beginning stages of process, to the application of movement and choreographic theory before and after performance of the final work. Through the exploration of scientific information, theoretical discussion, and personal discovery in choreography this research suggests a process by which the author, and other dancemakers, create new work.
dc.subjectChoreography
dc.subjectChoreographic Process
dc.subjectMirror Neurons
dc.subjectMovement Analysis
dc.subjectLaban Movement Analysis
dc.subjectSpace
dc.titleFrom Biological Impulse to Analyzed Product: An Exploration of the Choreographic Process
dc.typethesis
refterms.dateFOA2021-09-07T21:07:11Z
dc.description.institutionSUNY Brockport
dc.description.departmentDance
dc.description.degreelevelMaster of Fine Arts in Dance (MFA)
dc.source.statuspublished
dc.description.publicationtitleDance Master’s Theses
dc.languate.isoen_US


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