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dc.contributor.advisorCarrasco, Tammy
dc.contributor.authorWang, Jiali
dc.date.accessioned2021-09-07T21:07:11Z
dc.date.available2021-09-07T21:07:11Z
dc.date.issued5/13/2017
dc.identifier.urihttp://hdl.handle.net/20.500.12648/4813
dc.description.abstractThis research analyzes the inner energy of human perception and the invisible effect and influence between perception and physical dance theatre. Not only the insight and interpretation of the relationship between the psychological and physical area, but also the analysis of aesthetics, thinking, and concept from a perceptual process to physical language in different works of physical dance theatre. In this way we come to understand how artists create works as a perceptual process, and how audiences perceive expression in terms of artists’ intention and intuition. Through physical movement in the theater and the language on the stage, people perceive creative thought as a reflection of the historical or current state of a society and changeable world. My thesis is a study of physical language in dance theatre with both psychological and physical analysis. Therefore, in the form of physical dance theatre, we feel the spirit inside their movement language, much like the conversation of a human self through the perception of a physical, theatrical, spiritual, psychological, and unknown world.
dc.titleDance Theater—The Physical Art of Perception
dc.typethesis
refterms.dateFOA2021-09-07T21:07:11Z
dc.description.institutionSUNY Brockport
dc.description.departmentDance
dc.description.degreelevelMaster of Fine Arts in Dance (MFA)
dc.source.statuspublished
dc.description.publicationtitleDance Master’s Theses
dc.languate.isoen_US


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