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dc.contributor.advisorSaleem, Khalid
dc.contributor.authorBailey, Danisha Nicole
dc.date.accessioned2021-09-07T21:07:10Z
dc.date.available2021-09-07T21:07:10Z
dc.date.issued5/1/2006
dc.identifier.urihttp://hdl.handle.net/20.500.12648/4809
dc.descriptionPersonal information has been redacted from the vita to protect the privacy of the author.
dc.description.abstractTheROOTS: Bridging the Gap between Afi"ica, Minstrelsy and Hip Hop IS a thesis project written to look at the effects minstrelsy had on the early development of black dance in the United States, to pay tribute to Professor Sterling Stuckey's research on "slave culture," and the African-based tradition of the "Ring Shout," which is performed in the Southern United States, as well as examine the contributions that African American, Jamaican, Afro-Brazilian and Puerto Rican culture, dance and music had on the early development of hip hop. The root of Hip Hop shows how artistic movements can be a vehicle for social change, cultural identity and passive/aggressive resistance against oppression.
dc.subjectDance
dc.subjectHip Hop
dc.subjectMinstrelsy
dc.subjectAfrican Culture
dc.subjectSlave Culture
dc.subjectBlack Music
dc.subjectBlack Dance
dc.titleTheROOTS : Bridging the Gap Between Africa, Minstrelsy and Hip Hop
dc.typethesis
refterms.dateFOA2021-09-07T21:07:10Z
dc.description.institutionSUNY Brockport
dc.description.departmentDance
dc.description.degreelevelMaster of Fine Arts in Dance (MFA)
dc.source.statuspublished
dc.description.publicationtitleDance Master’s Theses
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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