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dc.contributor.advisorSuarez, Juanita
dc.contributor.authorChristie Gonzalez, Molly E.
dc.date.accessioned2021-09-07T21:07:10Z
dc.date.available2021-09-07T21:07:10Z
dc.date.issued2015-05-16
dc.identifier.urihttp://hdl.handle.net/20.500.12648/4807
dc.description.abstractArtist/scholar/educator Katherine Dunham (1909-2006) focused her life’s work on finding ways to educate people about themselves and each other, through a pedagogy that emphasized an integration of the thinking mind, emotional self and expressive physical body.Over her lifetime as an educator, anthropologist, performer, choreographer, writer, activist, and humanist, she developed and enacted a holistic model of pedagogy that remains an exemplary model in the field of education. The Dunham Pedagogy promotes intercultural awareness and understanding, social skills development, artistic training, and encourages scholarly pursuit, through its foundation in the Dunham Philosophies of Form and Function, Intercultural Communication and Socialization Through the Arts. This thesis will trace Dunham’s dual training in dance and anthropology and the intertwined development of the Dunham Technique, Philosophies, and Pedagogy. It will explore the underlying values and aesthetics present in the physical Technique, the cross-cultural, multi-disciplinary curriculum within Dunham schools, the role and practice of a teacher within a Dunham classroom, and the process of Dunham Teacher Certification.
dc.subjectKatherine Dunham
dc.subjectHolistic
dc.subjectPedagogy
dc.subjectDance
dc.subjectAnthropology
dc.subjectArtist/Scholar
dc.titleKatherine Dunham Technique and Philosophy: A Holistic Dance Pedagogy
dc.typethesis
refterms.dateFOA2021-09-07T21:07:10Z
dc.description.institutionSUNY Brockport
dc.description.departmentDance
dc.description.degreelevelMaster of Arts in Dance (MA)
dc.source.statuspublished
dc.description.publicationtitleDance Master’s Theses
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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