On Sparshott’s ‘Vision and Dream in the Cinema’
dc.contributor.author | Glickman, Jack | |
dc.date.accessioned | 2021-09-07T19:32:03Z | |
dc.date.available | 2021-09-07T19:32:03Z | |
dc.date.issued | 1971-01-01 | |
dc.identifier.uri | http://hdl.handle.net/20.500.12648/3392 | |
dc.description.abstract | I agree with much of Professor Sparshott’s argument. I would add that when film is not taken as a recording of events that occurred, it is taken as a recording of events that were contrived; and that it is taken as a recording entails that no film is taken as present time. When we are caught up in viewing a film, we are primarily concerned with the story. Our fundamental concern is not with the film’s space and time, but with certain characters in human situations. Our main concern is with human experience. | |
dc.subject | Philosophy Of Film | |
dc.subject | Film Theory | |
dc.subject | Aesthetics | |
dc.subject | F. E. Sparshott | |
dc.title | On Sparshott’s ‘Vision and Dream in the Cinema’ | |
dc.type | article | |
refterms.dateFOA | 2021-09-07T19:32:03Z | |
dc.description.institution | SUNY Brockport | |
dc.source.peerreviewed | TRUE | |
dc.source.status | published | |
dc.description.publicationtitle | Philosophic Exchange | |
dc.contributor.organization | The College at Brockport | |
dc.languate.iso | en_US |
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Philosophic Exchange
Philosophic Exchange is published by the Center for Philosophic Exchange, at the College at Brockport. The Center for Philosophic Exchange was founded by SUNY Chancellor Samuel Gould in 1969 to conduct a continuing program of philosophical inquiry, relating to both academic and public issues. Each year the Center hosts four speakers, and each speaker gives a public lecture that is intended for a general audience. These lectures are then published in this journal.