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dc.contributor.authorSparshott, Francis
dc.date.accessioned2021-09-07T19:31:20Z
dc.date.available2021-09-07T19:31:20Z
dc.date.issued1994-01-01
dc.identifier.urihttp://hdl.handle.net/20.500.12648/3152
dc.description.abstractAesthetics has traditionally concentrated heavily on the narrow range of aesthetic practice identified as the fine arts, and on the supreme achievements in those arts. This paper argues that this is because the very idea of fine arts is bound up with the phenomenon of empire. An empire is any situation in which a number of socio-cultural units are bound together in an administrative unity. In such a situation, there emerges a system of educational and cultural centralization that articulates the actual social functioning of the empire. In this situation, high art is the art that is integral to this educational system.
dc.subjectAesthetics
dc.subjectFine Art
dc.subjectSocial Philosophy
dc.titleAesthetics and the End of Civilization
dc.typearticle
refterms.dateFOA2021-09-07T19:31:20Z
dc.description.institutionSUNY Brockport
dc.source.peerreviewedTRUE
dc.source.statuspublished
dc.description.publicationtitlePhilosophic Exchange
dc.languate.isoen_US


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  • Philosophic Exchange
    Philosophic Exchange is published by the Center for Philosophic Exchange, at the College at Brockport. The Center for Philosophic Exchange was founded by SUNY Chancellor Samuel Gould in 1969 to conduct a continuing program of philosophical inquiry, relating to both academic and public issues. Each year the Center hosts four speakers, and each speaker gives a public lecture that is intended for a general audience. These lectures are then published in this journal.

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