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dc.contributor.authorNicholson, Lucienne
dc.date.accessioned2021-09-07T19:20:05Z
dc.date.available2021-09-07T19:20:05Z
dc.date.issued8/20/2014
dc.identifier.urihttp://hdl.handle.net/20.500.12648/2706
dc.description.abstractThis paper addresses what I term “Pink Transgressions.” I coin the phrase Pink Transgression to mean any oppression of one woman over another. For this research, the area of pink transgressions is focused on domestics, examining the impacts of race, class, gender, and transnationalism using a Black feminist perspective. Using feminist theory, I construct the web that connects me to my mother and both of us to Diouana, the domestic in the film, La Noire (Black Girl) by Ousmane Sembene (1966). The movie serves as an extraction of my life in the space of an “imagined-maid.” That “imagined-maid” status brought me to this close feminist study of the people whose lenses persistently visualize a maid in me.
dc.subjectBlack Feminist Thought
dc.subjectBlack Girl (1966)
dc.subjectClass
dc.subjectDomestics
dc.subjectDomestic Workers
dc.subjectGender
dc.subjectGender-Based Labor
dc.subjectOusmane Sembene
dc.subjectPink Collar Workers
dc.subjectRace
dc.subjectTransnational Domestic Labor
dc.subjectWomen-On-Women Oppression
dc.titlePink Transgressions
dc.typearticle
refterms.dateFOA2021-09-07T19:20:05Z
dc.description.institutionSUNY Brockport
dc.source.peerreviewedTRUE
dc.source.statuspublished
dc.description.publicationtitleDissenting Voices
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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  • Dissenting Voices
    Dissenting Voices is a student engineered eJournal collaboratively designed, authored, and published by undergraduate Women and Gender Studies majors in connection with their Women and Gender Studies Senior Seminar at SUNY Brockport.

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