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    Pink Transgressions

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    Author
    Nicholson, Lucienne
    Keyword
    Black Feminist Thought
    Black Girl (1966)
    Class
    Domestics
    Domestic Workers
    Gender
    Gender-Based Labor
    Ousmane Sembene
    Pink Collar Workers
    Race
    Transnational Domestic Labor
    Women-On-Women Oppression
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    Date Published
    2014-08-20
    
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    URI
    http://hdl.handle.net/20.500.12648/2706
    Abstract
    This paper addresses what I term “Pink Transgressions.” I coin the phrase Pink Transgression to mean any oppression of one woman over another. For this research, the area of pink transgressions is focused on domestics, examining the impacts of race, class, gender, and transnationalism using a Black feminist perspective. Using feminist theory, I construct the web that connects me to my mother and both of us to Diouana, the domestic in the film, La Noire (Black Girl) by Ousmane Sembene (1966). The movie serves as an extraction of my life in the space of an “imagined-maid.” That “imagined-maid” status brought me to this close feminist study of the people whose lenses persistently visualize a maid in me.
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