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dc.contributor.authorDamico, David
dc.date.accessioned2021-09-07T17:27:27Z
dc.date.available2021-09-07T17:27:27Z
dc.date.issued2011-04-01
dc.identifier.urihttp://hdl.handle.net/20.500.12648/2064
dc.descriptionStereoscopic Photography and Documentation of Living History Museums. Association for Living History, Farm and Agricultural Museums Spring 2011, ALHFAM Bulletin Posted here with permission of ALHFAM Bulletin.
dc.description.abstractAs an historic interpreter in the Print Office at the Genesee Country Village and Museum in Mumford, NY for six seasons I have found much pleasure in both the interpretation for and interaction with the many visitors I receive. As a college professor of graphic design, I am interested in all areas of visual communication, not only printing on the museum’s 1850 Washington iron handpress but also photographic methods of the era such as stereoscopy (3D photography). Considering the appropriateness of the stereoscopic medium to the 19th century, I consider my documentary stereo photos to be part of the culture of the period.
dc.subjectStereoscopic
dc.subjectStereo Photography
dc.subjectAntique
dc.subjectStereocard
dc.subjectThree Dimension
dc.subjectGenesee Country Village And Museum
dc.subjectMonocular
dc.subjectBinocular
dc.subjectStereo Realist Camera
dc.subjectHolmes Style Viewer
dc.subjectOliver Wendell Holmes
dc.titleStereoscopic Photography and Documentation of Living History Museums
dc.typearticle
refterms.dateFOA2021-09-07T17:27:27Z
dc.description.institutionSUNY Brockport
dc.source.statuspublished
dc.description.publicationtitleArt Faculty Publications
dc.contributor.organizationThe College at Brockport
dc.languate.isoen_US


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