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dc.contributor.authorWang, Yage
dc.date.accessioned2021-08-17T15:12:16Z
dc.date.available2021-08-17T15:12:16Z
dc.date.issued2021-08
dc.identifier.urihttp://hdl.handle.net/20.500.12648/2049
dc.description.abstractDepictions of ceramic objects in European and American oil paintings are appropriated onto porcelain forms that look like stretched canvases. I explore the relationship between east and west through re-interpretation of western artifacts based on my own projection without permission. Collectively, they are an obnoxious attempt to insert my identity into a history that had already identified and fetishized “me”. My identity retold in sculptural forms are grand, inflated, boastful, and full of insecurity.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectIdentity (Philosophical concept) in arten_US
dc.subjectIdentity (Psychology) in arten_US
dc.subjectCeramicsen_US
dc.subjectCeramic Exhibitionsen_US
dc.subjectPorcelainen_US
dc.subjectPaintingen_US
dc.titleBlue and white in oil: MFA Thesis - Ceramicsen_US
dc.typeThesisen_US
dc.description.versionNAen_US
refterms.dateFOA2021-08-17T15:12:16Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentCeramicsen_US
dc.description.degreelevelMFAen_US


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Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International