• About my meditation: MFA Thesis - Printmaking

      Zheng, Xuewu (2020-05)
      I titled this body of my work Meditation. The works, include two series, contain both printmaking and installation. I have been working on both series for about 30 years. I examine both history and the present in a very personal way and I integrate both philosophy and religion into my work. Through my artistic practice, I bridge the language gap between the Eastern and Western cultures. I pay attention to the relationships between humans and nature, and how they are shaped by modern civilization. Meditation is both the content and the state of my life, and my primary means of instigating this research.
    • Abstracture, The Abstraction Of Architecture And Space: MFA Thesis - Painting and Drawing

      Long, Brooke (2016-05)
      If a room or space can alter how we feel, if our feelings are affected by the color of the walls, the shape of a door, the design of the wallpaper, what will happen to us in places we experience or inhabit?
    • Actions and Responses: MFA Thesis - Painting

      O'Hara, Colleen (2016-05)
      My process in the studio challenges notions of control versus chance. I work with fluid acrylic paint and inks applied to paper through pouring, throwing and dripping. I do this to maximize the spontaneity of the material and minimize my control. By manipulating the paint with squeegees, brooms, mops and other non-conventional mark making tools, I remove my preconceptions from the making of a mark. At this point, the information is created as the result of an event. This event is an external experience between the paint, the paper, and my body applying it, as well as the space we occupy. I am not proposing that I make paintings in which I am completely removed from decision making or control: rather I place myself in a dialogue with materials in real space and time, thus giving experience and movement the upper hand over my mind. Much of what I think about in regard to my practice parallels ideas of Phenomenology, the philosophy of experience. Specifically, I am interested in how my process relates to the concept of Aletheia, Martin Heidegger's ideas about thinking, and to Maurice Merleau-Ponty’s concept of active engagement in the world as a means of gathering information.
    • AlterPieces: MFA Thesis - Metal

      Williams, Amy (2014-05)
      Focusing on the intertwining themes of fantasy, identity, and value, this thesis uses jewelry to explore the role of the alter ego. Participants were invited to share stories and descriptions of alternate identities arising from sources such as role-playing games, online forums, and historical reenactments; these narratives were used to make a series of thirteen portrait miniatures in the medium of painted vitreous enamel. The work was created as experimental pseudo-anthropology—artifacts for both person and persona—with the ultimate questions of validity and reality left to the viewer.
    • American macaroni: MFA Thesis - Ceramics  

      Rosenbach, Heather (2019-05)
      Working predominantly in ceramics, I seek to explore the concept of lowbrow art, verging on ugly, in conjunction with personal experiences growing up lower middle class-to-working class. Memories are exposited through narrative imagery and joke-telling. Political issues surrounding class vs. worth, fine art vs. lowbrow are discussed with satire and humor to deliver a personal message.
    • Asiaticoside : MFA Thesis - Painting and Drawing

      An, Junmo (2014-05)
      I am wandering around the things that intrigue me, the beginning of maturation, the remains of life—such as ashes and bones, the objects that link our lives with our deaths. I walk on, like a column of ants. I feel something draws me, but I do not know what and where it is. I just follow the crumbs of ideas; life, death, and love.
    • Becoming. Transformations within the Maternal Exchange: MFA Thesis - Printmaking

      Jaehnert, Tina (2016-05)
      Entering into a parenting role awakens unexpected concerns, fears, joys, and anticipations. Instincts go into overdrive as life’s main purpose shifts from self-preservation to protection and nurturing our child or children. The life once mapped out, or even the life in mid pursuit of, becomes magnified and heavily interrogated within this shift. My installation joins different environments, objects and works to explore the roles taken on during the tender and transformative incubation period of infancy and toddler stages. The role of protection is the focus of this body of work, using symbolic representations that contain processes within the natural world.
    • Between / spaces: MFA Thesis - Metal

      Scherzer, Jamie M. (2020-05)
      Using metal as a drawing tool, my work expands the traditional vocabulary of mark-making. I strive to create aesthetic compositions with metal serving as both paintbrush and canvas, exploring and capturing the conversation I have with the material. With an ongoing dialogue with material and process, I create imagery in metal, then go on to use that metal as a tool for printmaking. Through my work, I respond to the properties of metal through repetitive acts such as melting, drilling, and hammering. I explore the balance between the contained systematic nature of form and its transition into more unprincipled outcomes. Working through this process allows for maximum discovery and also encourages unexpected outcomes. These inquiries result in a body of work made up of jewelry, object, and print. My research blurs the boundaries traditionally set between two- and three-dimension. Metal serves as my canvas. I see my metalwork as a surface to create abstract imagery and printmaking as a way to create sculpture in two-dimensions. By inking and printing experimental metal surfaces, I use objects as tools to transform and create new abstract imagery. These tactile works on paper further inform the context of the body of work. I know the print is final when it reveals a new understanding of the metal surface and the print feels palpable. Within this work, I create boundaries and restrictions throughout my process which allows me to develop new work with directional control while leaving room for the unexpected. Encouraging chance within a set of parameters, these restrictions paradoxically create infinite possibilities.
    • Beyond Our Ideal Wonderland - Curioser and Curioser! : MFA Thesis - Printmaking

      Kweon, Se Ra (2016-05)
      Currently unsatisfying reality makes us want to imagine living in our daydreams. Daydreams may even be more than just wishful explorations; they may be pricelessly useful. They are our rehearsals for future actions (Singer 119). They suggest new and alternative ways of dealing with reality, thereby offering us a chance to decide on a more effective approach to life.
    • The Body in Question: MFA Thesis- Sculpture

      Gounaris, Eleni (2016-05)
      Disillusion only begins to scrape the surface of the ways in which we regard our relationships with others of a sentient nature. Our values of life are blatantly torn from their inherent jouissance by a repulsive irreverence. By isolating ourselves, we disregard those around us and lose focus. Our human and non­human connections, as well as the value of life of other species, passionately inform my work. I encourage others to consider the source of our commodities. They derive from the experiences of other beings who we may not even know are behind the curtain. I depict ambiguous representations of life through sculpture, sound, video, and mixed media. The primary challenges that inspire me are how we accentuate the irrefragable prevalence of speciesism, and help people empathize with others in order to contribute to a more compassionate society. By stripping away layers of meticulous thought, I arrive at conclusions one can only encounter through a moment of intermission. I am not afraid of suffering; it is an issue that encompasses all forms of life. The suffering for which I choose to speak is that of non­human animals, because their duress does not always communicate in a discernable, or human, dialect.
    • Building Prayers: MFA Thesis - Painting & Drawing

      Ward, Hannah (2018-05)
      ​I view my drawings as ceremonial narratives, told for the purpose of confronting mortality. I am interested in the visceral nature of religious phenomena in relation to the natural world and the act of creating. These drawings explore how the detailed construction of images serves as an invocation and brings comfort. Forest wildlife and the human body become vulnerable altars, processing intimacy and healing through discovery. These characters chronicle a haunting awareness, a space where physical boundaries blur. My works are extensions of the acts of ritual as we pursue the sacred; they are questions of devotion.
    • Calabash Series: MFA Thesis - Metal

      Qu, Mengnan (2015-05)
      In recent decades, the structure of the Chinese family has been transformed by the government’s One Child Policy. Urbanization and industrialization have further complicated the social shifts that have resulted in rapid and unbalanced transformation. I use the traditional Chinese form of the calabash as a canvas to explore and record stories that illustrate these social shifts. These stories demonstrate the impact of this policy and its transformation of China. These calabash objects suggest that everyday life can be surreal, ridiculous, and absurd. This paper supports my Calabash work series, providing important cultural context, material and technical information, academic statistics, and media reports of the stories told.
    • Callous Mind: MFA Thesis - Printmaking

      Lane, Christopher (2017-05)
      Post-traumatic stress disorder is a life altering condition that impacts millions. It changes the way we think, see, feel, act and live our lives. Witnessing those suffering from this mental disease that often goes untreated due to poor acceptance, misdiagnosis, and lack of awareness brought me to create these series of monotypes. This selection of five monotypes captures moments within the lives of those who are and have suffered the wrath of this debilitating illness.
    • Captain's proLOGue : MFA Thesis - Painting and Drawing

      Weaver, Jana K (2014-05)
      By developing a greater awareness of the subtle changes outside and inside of myself, can I come to better understand my interdependence with all humans, flora and fauna? Developing a practice that incorporates these subjects, I hope to establish a greater reverence for how my existence has come and continues to be, as well as a deeper understanding on how my own personal agency functions. In this, I expect to become a more responsible caretaker of myself and all that surrounds me. Ultimately, my goal is to provoke greater curiosity and reverence surrounding the workings of our inner and outer world so that we, and consequently our world, will continue to flourish.
    • Catch Me If You Can: MFA Thesis - Metal

      Hyein, Cho (2017-05)
      “Kidult” is a newly coined word for an adult who indulges in the culture of children. Kidult started the idea that people could escape from hard and boring lives. I thought of my childhood moment when I passed by an arcade claw machine and begged my parents for some change to play it. I believe that everyone has similar memories that can relate. Playing the claw arcade game can cast people back to their time of innocence. Therefore, 'Catch me If you can' can become a shelter that stimulates nostalgia of one's younger days.
    • Chariots of the anthropocene: MFA Thesis - Printmaking

      Munford, David (2019-05)
      This series of prints begins a body of work that addresses the subject of climate change, including man's role in accelerating it and exacerbating its effects. I chose the medium of monotype because it is a painterly printmaking process which allows for a spontaneous method of working conducive to a more abstract, freer form of expression. Monotype is a printmaking process in which an image is made from a smooth non-absorbent surface that has been inked. Because the matrix is smooth, or unarticulated, there is no repeatable image being transferred therefore each print is unique. Using a large piece of plexiglass as a matrix, my technique involves printing multiple layers on top of one another. Ideas and associative meanings, signified by color and mark making, are printed in layers superimposed on top of preceding layers. In this way an overall composition is formed by combining individual layers. This is suggestive of multiple natural phenomena interconnecting and combining to form an overall climate. On top of these multiple layer monotypes I add screen printed elements emphasizing other key concepts.
    • Cherished Cavities & Intimate Hollows: MFA Thesis - Sculpture

      Itter, Katy (2015-05)
      I am interested in the way we form relationships in a current digitally enhanced society and what those relationships mean to us. I use casts from my own body as well as digital media in my work to create spaces that ask the viewer to identify comfort zones and boundaries. This allows me to force an interaction with the viewer that is both invasive to their space as well as my own. I aim to create space that builds tension between the viewer’s personal boundaries and mine.
    • Climate of sight : MFA Thesis - Metal

      Zitzow, Kim (2014-05)
      Climate of sight is an archive that performs the question "what does rust want?" Transformed from a prompt generated by a proclivity toward the material itself, the aesthetic investigation began permeating other materials, processes and ways of thinking, knowing and feeling. A disused limestone quarry, terrain both unfamiliar and alive situates the inquiry and subtly pervades the gallery. Over time materials have been urged to crystallize amongst themselves, compile to articulate acts of attention, to become tools for seeing and containers for holding while digressions unexpectedly revel.
    • Closer Approximations: MFA Thesis - Metal

      Kellogg, Benjamin (2018-05)
      My work is situated in a framework of practice and play—the result of an iterative process. Formal conclusions emerge as responses to self-imposed systems of making. I fabricate jewelry tangent to simple drawing programs developed in software. By hand, I interpret the systems that determine form in order to conceive new studio methods and wearable outcomes. I explore the conditions of making within craft, generative design, and the serial aspects of digital technologies.
    • Collection/Dissection, a Cutaneous Autobiography: MFA Thesis - Painting & Drawing

      Rigden, Maria (2015-05)
      Masters in Fine Art Thesis for Artist Maria Vonn. This is a body of work that uses contemporary digital processes in both painting and printmaking to create a body of work reflecting the relationship of the individual to their skin. More specifically, the final body of work is a collection of nude self portraits that show both the full figure as well as macro imagery of the artists skin, including tattoos, scars, hair growth, bruises, etc.