Dissenting Voices: Recent submissions
Now showing items 81-100 of 129
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Fat Body PoliticsSociety at large disparages people who can be classified as obese or even overweight, and within smaller social circles, the “fat” friend (by comparison) suffers the stigma. Behaviors and other factors influenced by society's attitudes towards fat individuals are explored.
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WMS 421 Spring 2015 Activism Photo Essay (The College at Brockport)2015-09-10This photo essay documents women and gender-informed activism by undergraduate students enrolled in WMS 421 at The College at Brockport, State University of New York. The students staged several activist projects including a One Billion Rising Revolution flash mob, a trans-awareness Origami Swan Project, an International Women’s Day salon, a collaboratively designed Clothesline Project installation, and a worker’s rights rally for the Fight for15.
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Our VoicesWe invite you to join us, many voices as one, to challenge those systems that oppress us all. In this work we aim to discuss the place that we hold within our community, focusing on identity, choice, ownership, and the mass media. Let us dissent against the social limitations and expectations and raise awareness of the intersectional ties that connect all people. Through our own feminist research, we use Dissenting Voices to highlight the social issues of today.
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Violence in Deaf Culture: My Story, My VoiceI am a survivor of domestic violence. I also am Deaf. Domestic violence is an aggressive behavior within the home, typically involving the violent abuse of a spouse or partner. It can come in many forms: physical, mental, verbal, and emotional abuse. Most commonly, domestic violence is targeted against women. I am sharing my story as a survivor because of my time in Vera House, which is a shelter for battered women. My time at Vera House fired my passion to correlate my personal experience and informative research to raise awareness by educating others about the unique needs of Deaf domestic violence survivors. I hope that my story will awaken the hearing community to the fact that Deaf victims need allies on their side to make a change for Deaf domestic violence survivors.
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Dissenting Voices Volume 4 Issue 1 (Spring 2015) Complete Issue2015-09-10Table of Contents: Opening Voices - Our Voices: Anna Walser with Courtney Gazda, Christopher McNeil, Taryn Mogavero, Sarah Mae Richens, Nicole Posluszny, Emily Tanner, i - Note from the Editor (Barbara LeSavoy), ii - Adiposity and Anarchism: Exposing and Examining Fat Oppression in a Capitalist Society (Sarah Mae Richens), 1 - The Color of Postfeminism: Representations of Black and White Women in Popular Music Videos (Anna Walser), 13 More Voices - The de(Evolution) of the Disney Princesses (Courtney Gazda), 29 - Voices Carry: Understanding Rape Culture's Identity in Society (Nicole Posluszny), 47 - The U.S. Military's Invisible War: Midshipmen Perspectives (Christopher McNeil), 69 - Title IX: What Students Think They Know (Taryn Mogavero), 87 - Girls, Instagram, and the Glamorization of Self-loathing (Emily Tanner), 120 - WMS 421 Spring 2015 Activism Photo Essay, 121
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Peppermint Patty: A Mint or a VaginaSex education is a subject that all adolescents inevitably encounter. Abstinence-only and comprehensive sex educations are the two core foundational curricula that are being taught to most high school students in the United States. On the surface, both of these methodologies teach conflicting information about sex which perpetuates gender inequality and rape culture. Abstinence-only programs’ emphasis on women’s purity stigmatizes teens through heterosexual normative teachings and misleads teens and young people on the logistics of sexual health. Conversely, comprehensive sex education does not teach “real” sex education because it includes very basic understandings of human sexuality rather than teaching about men’s and women’s sexuality equally. Analyzing the flaws in both teachings can be a step forward in decreasing adolescences’ pregnancy rates, Sexually Transmitted Diseases, rape culture, and gender inequality.
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Microcredit: A Model of Empowerment for Women?Patriarchal cultures all over the world oppress women within their communities and their own homes. Microfinancing and microcredit show potential as ways to help women empower women. However, one must question if microfinancing and microcredit are as promising as they seem to be. This paper looks at case studies and analyzes different aspects of microcredit programs and concludes that microfinancing and microcredit are not the answer to women’s economic problems. Microcredit programs have some promising aspects. For example, they give individual women financial security and more respect within their communities and families. Overall, however, microcredit can do more harm for women than good, as it can lead to an increase in domestic violence, and in some instances, greater debt for certain women.
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Lay Down Your CrossIf the strong Black woman is to ever gain visibility, then we need to be strong enough to allow ourselves the opportunity to rest. The implications that we are insurmountable beings have meant that Black women are routinely denied considerations by society. A host of Black feminist thinkers have indicated the unique spaces of oppression which the Black woman has occupied and continues to struggle within because of this institutional neglect. Black women have been the bridge which, not only supports the change that we wish to see, but also maintains the disparaging stereotypes which obstructs our efforts towards self-definition. The frustrations weigh heavily upon Black women, as they are forced to surrender need and charity in order to protect the utility of our families and communities. It is my belief that Black women need to lay down this burden of being everything to everyone, if we have any hope of experiencing the kind of freedom which have been liberally extended to others. Cast-off the shame that has silenced the strong Black woman; there is power to be gained when we stop allowing others to determine our worth.
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Reframing Sexual Responsibility: Hooking-up“Hook-up” culture can be seen as an outlet for women’s sexual freedom. For centuries women have not been allowed to express or have equal rights as men. Some feminists believe that women have grasped this “hook-up” culture as a way to gain sexual freedom and thus become more equal to men, but did this phenomenon backfire? This paper traces the historical emergence of “hooking-up” as a courtship ritual, explaining where it came from as well as what is new about it. The paper addresses the three themes of drugs and alcohol, sexual satisfaction, and the psychological well-being as lenses to assess hook-up practice and its relationship with sexuality. The paper also examines whether or not hook-up culture is empowering or disenfranchising for women.
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Silence Because of FearThe poem, "Silence because of Fear", expresses the poet's own experiences with domestic violence. Domestic violence occurs in varied contexts and degrees of severity. Victims of domestic violence are not the only ones affected or caught in a cycle of abuse. Family, friends and children also are greatly impacted.
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Gay New York: From Bars to BathhousesThis project is an analysis of the manner in which gender identity development was experienced by non-heteronormative people in the first half of the twentieth century, focusing on the experiences of gay men, with particular focus on the life of Anthony (Tony) Mascioli, a Rochester native and 1954 graduate of the Brockport State Teacher’s College , now The College at Brockport. Tony’s journey from a lower middle class, socially conservative, and mostly closeted lifestyle, to an upper class, extremely liberal, and totally open gay lifestyle sheds light on the manner in which American society’s view of homosexuality has evolved and on how heterosexism and classism intersect in both Tony’s life and in the formation of gay male identity as a whole. This research includes analysis of gay history, theories of gender identity and development, and personal experiences of identity as related in interviews and personal histories.
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Our VoicesIn declaration, we come together, calling for all who experience the intersection of oppressions to have the opportunity to claim and use their own Voices.
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Dissenting Voices Volume 3 Issue 1 (Spring 2014) Complete Issue2014-08-20Table of Contents: Opening Voices - Our Voices: Celeste Cooper, Michele Haddad, Kelsey Mahoney, Andrea Moore, ’Lucienne Nicholson, Ben Roberts, Cherrie Watson, i - Note from the Editor Barbara LeSavoy, ii - Gay New York: From Bars to Bathhouses Ben Roberts, p. 1 - Lay down Your Cross Celeste Cooper, p. 19 - Microcredit: A Model of Empowerment for Women? Kelsey Mahoney, p. 33 - Reframing Sexual Responsibility: Hooking Up Andrea Moore, p. 51 - Peppermint Patty: A Mint or a Vagina Michele Haddad, p. 65 - Violence in Deaf Culture: My Story, My Voice Cherrie Watson, p. 81 - Pink Transgressions: Black Girl and the Intra-feminist Politics of Place Lucienne Nicholson, p. 81 - WMS 421 Spring 2014 Activism Photo Essay , p. 119
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Pink TransgressionsThis paper addresses what I term “Pink Transgressions.” I coin the phrase Pink Transgression to mean any oppression of one woman over another. For this research, the area of pink transgressions is focused on domestics, examining the impacts of race, class, gender, and transnationalism using a Black feminist perspective. Using feminist theory, I construct the web that connects me to my mother and both of us to Diouana, the domestic in the film, La Noire (Black Girl) by Ousmane Sembene (1966). The movie serves as an extraction of my life in the space of an “imagined-maid.” That “imagined-maid” status brought me to this close feminist study of the people whose lenses persistently visualize a maid in me.
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WMS 421 Spring 2014 Activism Photo Essay2014-08-20One Billion Rising: V-Day Stop Violence Against Women; Love Your Body Day; International Women’s Day; The Clothesline Project.
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Mirror, Mirror on the WallThe paper examines the idea of the “ideal” body image that women strive to achieve, covering the time period of the 1920s – 1990s. The analysis is primarily of narrative texts that debate body types of women that have emerged over the time periods. My research question, Can women ever officially achieve the “ideal” body image? confirms that women cannot fully present distorted social readings of body image, but they can access resources and outlets to discover that there is more to women’s identity and value than her body alone. As this paper explains, this realization is structured by a complex web of cultural influences.
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Media, Objectification and Sexual AssaultIn much of the media found in the United States today, women are often portrayed in these very ways: being raped tortured and even the suggestion of murder, all for the sake of capitalism. The images found throughout this paper are actual advertisements that can be found both online and in a variety of magazines, many of which portray these situations. Advertising that simulates pornographic scenes and gang rape is problematic to everyone, but these violent and forceful sexual situations become especially problematic for women who have been sexually assaulted.
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The Hidden Feminist Progressive of MistralThis essay focuses on Gabriela Mistral, a Chilean poet well known throughout the world. Here, I focus on representations of maternity in her poetry, a selected analysis that comes from a larger work that is serving as my senior undergraduate thesis. My examination of Mistral is prompted by my interest in examining women of history who have had positive social impacts on their societies. This particular analysis of Mistral and her poetry aims to look at her representations of motherhood within a feminist theoretical framework where I argue that Mistral’s passionate and frequent use of the trope of motherhood is feminist in its inclusivity.