• Fairy Tales And The Heroic Cycle In The Modern World: Modern Authors Empowering The Female Heroine

      Lamberton, Susan E.; The College at Brockport (2009-12-14)
      Modern retellings of fairy tales, and new stories in the heroic tradition, serve a dual purpose in late twentieth century and twenty-first century American culture: they entertain readers with fantastic tales of heroic feats and mystical occurrences, and they promote cultural or political messages, such as gender coding, to an audience in an attractive and compelling way. These retellings highlight and comment upon social, political, gender and other issues in modern culture. Francesca Lia Block and Anne Sexton both have retold fairy tales in new forms and settings to question the roles of women in modern society. In its updated version, Block's Cinderella story offers women the option to repair the relationships with their sisters, valuing familial love alongside the security and love the prince offers. These authors are challenging the accepted gendered norms of behavior and asking readers to consider their own positions within the gender hierarchy in place within society. An example of this is J .K. Row ling, who puts a new spin on Joseph Campbell's heroic cycle in her Harry Potter series of books. Rowling is revising this familiar pattern by moving to a more corporate model of heroism focusing on a team rather than a single hero narrative. The team is of mixed-gender, where the combination of stereotypically male and female traits is what makes the team effective. Row ling highlights previously undervalued traits typically coded as feminine by showing the strengths of the female characters in her novels as different from the strengths of the males, but equal. The coming of age of the three main characters Harry, Ron, and Hermione becomes a main theme in the novels.
    • Permanent Functions of Characters’ Proper Names in Harry Potter

      Gibka, Martyna; Koszalin University of Technology (2019-01-22)
      No abstract.
    • Pity Those Who Live Without Love: The Function of Love in Harry Potter

      Creighton, Jolene E.; The College at Brockport (2011-04-07)
      J. K. Rowling’s Harry Potter novels are extraordinarily popular; readers zealously respond to these texts with unprecedented adoration and dedication. Generally, critics attempt to explicate the popularity of Harry Potter in one of two ways: through an examination of either Rowling’s literary artistry, or an analysis of the relentless marketing of the culture industry. Coupled together, the aforementioned analyses sufficiently explain the initial success of Rowling’s series. However, the only way to understand the unflagging popularity of Harry Potter is to elucidate the emotional adoration that these texts inspire in readers. This can be accomplished by explicating the primary theme of this series and then rationalizing the way that readers typically react to the connotative meaning of this theme. Subsequently, the conclusions that are drawn from this line of reasoning can be reinforced by juxtaposing the primary theme of Harry Potter with the themes that generally surface in Harry Potter fan fiction. Throughout this series, Rowling’s heroic protagonists are characterized as figures who are capable of altruistic affection. Conversely, her antagonists are ambitious figures who neither practice nor experience selfless love. This antithesis demonstrates that love is the primary point of contention and the principle theme in Harry Potter. It is possible to definitely prove that readers are responding to the theme of love in Harry Potter by examining the way that love functions in the fan fiction surrounding this series. The themes presented in fan literature reinforce and champion the fundamental meaning of Rowling’s novels. As a result, an examination of Harry Potter fan fiction indicates that readers are attracted to Rowling’s portrayal of love. Consequently, it is this theme which inspires the readers’ adoration and thus the series overwhelming popularity.