• Dictators, Fry Cooks, Film Students, Basketball Players, and Gang Bangers: How Shakespeare Looks on Film in the Late Twentieth Century and Beyond

      Bielinski, Charles R.; The College at Brockport (2007-04-11)
      Within the genre of the alternative Shakespearean universe, there exist two sub-genres. The two sub-genres are the Shakespeare language, contemporary era film and the contemporary language, contemporary era. Though films in these genres have existed since the dawn of filmmaking, they recently been marketed to more mainstream audiences. This thesis incorporates five ofthe more recent examples of these particular genres of Shakespearean film: William Shakespeare's Romeo + Juliet, Hamlet, Richard III, 0, and Scotland, Pa. Each film is a unique take on the original Shakespearean work that it represents. The filmmakers include many of their own original ideas along with a re-imagining of the ideas taken directly from Shakespeare. In many cases the filmmakers have decided to tailor events and character motivations to fit the film that they have chosen to create. The choices, and their degree of success, must be analyzed in order to provide a complete analysis of the films. Many scholars and critics have viewed these films harshly upon their release and·again when subjected to critical study. This is not entirely fair, as the films cannot be judged based on their faithfulness to the original work alone. The audience has changed since the time in which Shakespeare lived and, as a result, some of the stories need to be changed as well.
    • The Myth of Autism

      Crofts, Daniel J.; The College at Brockport (2009-01-30)
      This thesis is a study of autism in and intimations thereof in various narrative works of different types and from different time periods. My interpretation of autism, upon which my literary analysis is based, is in accordance with the insights of a field of psychological theory known as metabletics, which studies various conditions (autism, for example) in light of the wider social, cultural, and historical contexts to which they belong. I interpret autism as an expression of a comprehensive cultural condition that affects Modern society (especially in the Western world) as a whole and finds its historical roots in the advent of linear perspective vision, which occurred in the 15th century. As I examine intimations and/or expressions of autism in the various narrative works I explore, I elaborate upon the ways in which autistic symptoms (as well as the narratives in question) are connected to the traits of linear-perspective-based consciousness. My goal is to inspire a more robust and sensitive understanding of and approach to autism than the traditional medical/diagnostic approach. After supplying the necessary background information about linear perspective vision and its effects upon Modern, Western society as a whole and then briefly attending to the implications of what some have interpreted as intimations of autism in pre-Modern narratives, I explore the autistic impulses within popular narrative works from different stages of Modern history, beginning with Shakespeare's Hamlet and concluding with David Fincher's 1999 film, Fight Club. In so doing, I trace the development of the autism phenomenon from within the concurrent (and enveloping) development of the condition of Modern man. After this, I devote a chapter to the portrayal of autism in contemporary children's fiction, which I argue to be our key to understanding and approaching the autism phenomenon in a manner that is beneficial to autistic children and to society as a whole.