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dc.contributor.authorAn, Jiyu
dc.date.accessioned2021-07-14T18:24:44Z
dc.date.available2021-07-14T18:24:44Z
dc.date.issued2021-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/1848
dc.description.abstractIn my work, I am using the images of the city and windows. Viewers can read the reflected images of fragility and disconnection in my work. The window is a sign of human emotions. How can I make the viewer feel that we are disconnected and fragile? I think the windows and cities can be signifiers and mirror all emotions.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectCeramic Exhibitionsen_US
dc.subjectWindowsen_US
dc.subjectCeramicsen_US
dc.subject3D Printingen_US
dc.subjectDepressionen_US
dc.subjectTechnologyen_US
dc.subjectSocial isolationen_US
dc.subjectSculpture Exhibitionsen_US
dc.subjectEmotionsen_US
dc.titleWindows of (dis)connection: MFA Thesis - Ceramicsen_US
dc.typeThesisen_US
dc.description.versionNAen_US
refterms.dateFOA2021-07-14T18:24:45Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentCeramicsen_US
dc.description.degreelevelMFAen_US


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Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International