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dc.contributor.authorNoel, Haley
dc.date.accessioned2021-07-14T17:42:12Z
dc.date.available2021-07-14T17:42:12Z
dc.date.issued2021-05
dc.identifier.urihttp://hdl.handle.net/20.500.12648/1845
dc.description.abstractThe COVID-19 pandemic led to an inevitable surge in the use of digital technologies due to the social distancing norms and nationwide lockdowns. People and organizations all over the world had to adjust to new ways of work and life.2 This resulted in an overwhelming need for more effective forms of communication/technology. Due to this, I began experimenting with antiquated family memories which included photographs, letters, and conversations. These recordings brought discoveries of bittersweet moments to light and became the underlying basis of my work.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectResearch Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::Arten_US
dc.subjectPrintmaking Exhibitionsen_US
dc.subjectPrints Exhibitionsen_US
dc.subjectPhotographsen_US
dc.subjectNostalgia in arten_US
dc.subjectMemory in arten_US
dc.subjectTechnologyen_US
dc.subjectFamilyen_US
dc.titleThe innovation of technology: an introspection on growth and obsolescence: MFA Thesis - Printmakingen_US
dc.typeThesisen_US
dc.description.versionNAen_US
refterms.dateFOA2021-07-14T17:42:12Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentPrintmakingen_US
dc.description.degreelevelMFAen_US
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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Attribution-NonCommercial-NoDerivatives 4.0 International
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International