Average rating
Cast your vote
You can rate an item by clicking the amount of stars they wish to award to this item.
When enough users have cast their vote on this item, the average rating will also be shown.
Star rating
Your vote was cast
Thank you for your feedback
Thank you for your feedback
Author
Pollack, Ashley NettyeKeyword
Research Subject Categories::HUMANITIES and RELIGION::Aesthetic subjects::ArtMetal
Gold
Metal Exhibitions
Metalsmith
Metalwork
Jewelry Exhibitions
Alloys
Date Published
2021-06
Metadata
Show full item recordAbstract
My work started with a basic curiosity about non-ferrous metals. Why is silver whitish, why is copper pink-y, and why are there so many shades of gold? I was always drawn to gold for its range of colors. As an artist, trained as a painter for most of my life - in comparison to the five years I have been a practicing metalsmith, I always felt that the color palate of gold would lend itself to painting beautifully. I am not alone in this attitude. The ancient Egyptians experimented greatly with the color palette of gold. So great was their enchantment with the coloration possibilities that of, "The sixteen Akkadian terms for gold include nine refer[ed] to colour or shade" (Lindsay 214). Once I became a more invested metalsmith, I began to wonder - if gold could come in such varied shades, why wasn't that also true for silver and copper? This is the origin of my preoccupation with alloys.The following license files are associated with this item:
- Creative Commons
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International