Cutting and Adapting Text for the Virtual Performing Landscape

Malone, Toby; Huber, Aili

dc.contributor.author	Malone, Toby
dc.contributor.author	Huber, Aili
dc.date.accessioned	2021-03-09T13:18:33Z
dc.date.available	2021-03-09T13:18:33Z
dc.date.issued	2020-12-21
dc.identifier.citation	Malone, Toby, and Aili Huber. "Cutting and Adapting Text for the Virtual Performing Landscape." New & noteworthy: The LMDA Newsletter. Vol. 6, No. 4 (December 2020).	en_US
dc.identifier.uri	http://hdl.handle.net/20.500.12648/1653
dc.description.abstract	Cutting is almost inevitable in the process of performing classical texts, for time management; company logistics; sense; structure; or adaptation. Over the last year of the COVID-19 pandemic, the process of cutting has changed markedly as performances have moved into the virtual realm.	en_US
dc.language.iso	en_US	en_US
dc.publisher	New and Noteworthy: The LMDA Newsletter	en_US
dc.rights	Attribution-NoDerivatives 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by-nd/4.0/	*
dc.subject	Dramaturgy	en_US
dc.subject	Shakespeare	en_US
dc.subject	Virtual	en_US
dc.subject	Theatre	en_US
dc.title	Cutting and Adapting Text for the Virtual Performing Landscape	en_US
dc.type	Article/Review	en_US
dc.description.version	VoR	en_US
refterms.dateFOA	2021-03-09T13:18:33Z
dc.description.institution	SUNY Oswego	en_US
dc.description.department	Theatre Department	en_US
dc.description.degreelevel	N/A	en_US