Changing museum culture using artists, communities, and educators

Abstract

This thesis explores the historical context of cultural appropriation throughout history. Specifically focusing on the incorporation of ancient Egyptian symbols and practices into European art and religion. The study highlights the influence of Hermeticism and Egyptian iconography on Renaissance artists such as Francesco Vanni and the manipulation of Egyptian culture by Pope Sixtus V to expand Catholic dominance. Through a critical analysis of museum practices, the thesis draws parallels between historical appropriation and modern museum ethics, arguing for the ethical return of artifacts to their rightful owners. It emphasizes the importance of collaboration between museums, communities, and artists to foster a more respectful and informed approach to curation. By examining contemporary examples like the Temple of Dendur and discussing the role of historical recreations, the thesis advocates for museums to transition from spaces of colonial legacy to inclusive centers of education, respect, and cultural exchange. Keywords: Museum Ethics, Cultural Appropriation, Ancient Egypt, Renaissance Art, Hermeticism, Francesco Vanni, Egyptian Symbolism, Counter-Reformation, Artifact Repatriation, Museum Reform, Historical Recreation, Colonial Legacy, Cultural Sensitivity, Ethical Curation, Museum Policy.