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dc.contributor.authorCavallucci, Katherine
dc.date.accessioned2020-12-14T15:30:12Z
dc.date.available2020-12-14T15:30:12Z
dc.date.issued2020-11
dc.identifier.urihttp://hdl.handle.net/20.500.12648/1580
dc.description.abstractGame of Thrones​ presents us with a wealth of fascinating characters, many of whom do not fit neatly into the particular roles ascribed to them by binary systems. As a result of their nonconformity, they are often ridiculed, spurned, “othered.” In this thesis, I will focus on gender and ability as performances—social constructions—rather than as natural fact, and I will utilize the literary and film theory of Laura Mulvey, Lennard Davis, and Judith Butler to explore ​Game of Thrones t​hrough this lens. I intend to analyze how certain characters perform gender or dis/ability (or both), along with the ways in which they have changed the narrative and subverted traditional ideologies and systems of power.en_US
dc.language.isoen_USen_US
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectEnglishen_US
dc.subjectResearch Subject Categories::SOCIAL SCIENCES::Social sciences::Educationen_US
dc.subjectGame of Thronesen_US
dc.subjectGenderen_US
dc.subjectDisabilityen_US
dc.subjectBinaryen_US
dc.subjectNormalcyen_US
dc.subjectPerformanceen_US
dc.titleA story we agree to tell each other over and over: gender and disability performance in ​Game of Thronesen_US
dc.typeHonor's Projecten_US
dc.description.versionNAen_US
refterms.dateFOA2020-12-14T15:30:13Z
dc.description.institutionSUNY College at New Paltzen_US
dc.description.departmentHonorsen_US
dc.description.degreelevelN/Aen_US
dc.accessibility.statementIf this SOAR repository item is not accessible to you (e.g. able to be used in the context of a disability), please email libraryaccessibility@newpaltz.edu


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Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 International