"My Words Echo Thus In Your Mind:" Cyclical Time and Memory in T.S. Eliot's Four Quartets, Virginia Woolf's Mrs. Dalloway, and Alain Resnais's Last Year at Marienbad
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Author
BAULCH, ChristinaReaders/Advisors
Domestico, AnthonyTerm and Year
Spring 2019Date Published
2019
Metadata
Show full item recordAbstract
This Senior Project traces cyclical, non-linear representations of time and memory in T.S. Eliot's Four Quartets, Virginia Woolf's novel Mrs. Dalloway, and Alain Resnais's 1961 film Last Year at Marienbad. In addition to close analysis of these texts in their own right, the essay ties in theory from other discourses, looking at how memory is viewed through a philosophical perspective, how it functions cognitively, as well as artistically across these mediums. Such theorists range from Saint Augustine, Gaston Bachelard, to even the contemporary journalist Alan Burdick. At the crux of the argument is the realization that memory is always "both and," endlessly ineffable and uncategorizable. In Eliot and Woolf, for instance, memory at first strikes us as something of beauty. Moments of ecstatic joy are not condemned to the past, but through memory can be re-experienced and felt as present again. When we tie-in Last Year at Marienbad, though, we recognize that memory for all these authors is also what Edmund Burke refers to as "sublime," something so powerful we associate it with fear and horror. Memory allows us to relive what we love, but it also haunts us, refusing to let us escape what we don't.Accessibility Statement
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