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dc.contributor.authorRhodes, David M.
dc.date.accessioned2024-01-26T21:49:12Z
dc.date.available2024-01-26T21:49:12Z
dc.date.issued2023
dc.identifier.urihttp://hdl.handle.net/20.500.12648/14013
dc.description.abstractThis project conducts a comprehensive exploration of the aesthetic, thematic, and cultural dimensions in recent post-horror films. The analysis delves into how these elements influence the films' marketing, distribution, and broader critical reception. Beginning in the 2000s, a critical discourse has emerged regarding the classification of contemporary horror cycles under the label "art horror." This ongoing debate sheds light on the evolving cultural values and aesthetic paradigms that horror genre films present to both critics and the general audience. The essay navigates through varied responses to contemporary post-horror films, addressing arguments questioning the groundbreaking nature of these developments and challenging the designation of "post-horror" as opposed to traditional horror.
dc.subjectFirst Reader Nathan Holmes
dc.subjectSenior Project
dc.subjectSemester Fall 2023
dc.titlePost-Horror: Critical Dissonance
dc.typeSenior Project
refterms.dateFOA2024-01-26T21:49:13Z
dc.description.institutionPurchase College SUNY
dc.description.departmentCinema Studies
dc.description.degreelevelBachelor of Arts
dc.description.advisorHolmes, Nathan
dc.date.semesterFall 2023
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