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dc.contributor.authorLykins, Courtney
dc.date.accessioned2023-11-09T16:34:08Z
dc.date.available2023-11-09T16:34:08Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/20.500.12648/13747
dc.description.abstractIn this essay, the connections between art and film will be explored in depth in relation to Pasolini's cinematic oeuvre. The cinema of Pier Paolo Pasolini has many citations of Renaissance art. Containing both direct and indirect references to Renaissance art, Pasolini includes artwork from Giotto to Pontormo. These inclusions allow Pasolini to situate his films in relation to the historical narratives of the art he cites. The art historical narratives serve to further his own themes and visual language, and align him with the cinematic avant-gard.
dc.subjectFirst Reader Paul H. Kaplan
dc.subjectSenior Project
dc.subjectSemester Fall 2018
dc.titleRenaissance Art and Film: The Cinema of Pier Paolo Pasolini
dc.typeSenior Project
refterms.dateFOA2023-11-09T16:34:08Z
dc.description.institutionPurchase College SUNY
dc.description.departmentArt History
dc.description.degreelevelBachelor of Arts
dc.description.advisorKaplan, Paul
dc.date.semesterFall 2018
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