MUTATING BEAUTY: How Artists Use The Ethereal and Grotesque to Create Ownership of One’s Identity
| dc.contributor.author | Jackson, Zoe | |
| dc.date.accessioned | 2023-10-31T19:53:02Z | |
| dc.date.available | 2023-10-31T19:53:02Z | |
| dc.date.issued | 2020 | |
| dc.identifier.uri | http://hdl.handle.net/20.500.12648/13657 | |
| dc.description.abstract | In direct response to an abuse of power and restraining social conventions the artists Leonora Carrington, Remedios Varo, Wangechi Mutu, Sarah Nicole Francois, and the collective Fecal Matter are able to create new, freeing realms within their own work. In a pattern of themes such as the anthropomorphic, grotesque, mutated, celestial, and occult one is able to find a reflection of self-identity and annihilation of body sanctity that has enforced the work of marginalized artists for over one hundred years. | |
| dc.subject | First Reader Sarah J. Warren | |
| dc.subject | Senior Project | |
| dc.subject | Semester Spring 2020 | |
| dc.title | MUTATING BEAUTY: How Artists Use The Ethereal and Grotesque to Create Ownership of One’s Identity | |
| dc.type | Senior Project | |
| refterms.dateFOA | 2023-10-31T19:53:02Z | |
| dc.description.institution | Purchase College SUNY | |
| dc.description.department | Art History | |
| dc.description.degreelevel | Bachelor of Arts | |
| dc.description.advisor | Warren, Sarah J. | |
| dc.date.semester | Spring 2020 | |
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