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dc.contributor.authorWelty, Emma
dc.date.accessioned2023-10-31T19:53:00Z
dc.date.available2023-10-31T19:53:00Z
dc.date.issued2020
dc.identifier.urihttp://hdl.handle.net/20.500.12648/13647
dc.description.abstractThis paper will act as a document of needlelace preservation methods in the United States since 1895, including relief effort marketplaces, publications, demonstrations, collections, exhibitions and internet communities. These pieces of visual and material culture will be contextualized alongside the broader issues of gendered labor, cultural memory, assimilation pressures and Orientalism. Using these frameworks to look at the history of needlelace, I will interrogate cultural preservation methods in an attempt to create a potential roadmap to maintaining specific craft histories while also being socially and culturally adaptable.
dc.subjectFirst Reader Sarah J. Warren
dc.subjectMasters Thesis
dc.subjectSemester Spring 2020
dc.titleThe Shepherds of Needlelace: Armenian-American Lace After the Genocide
dc.typeMasters Thesis
refterms.dateFOA2023-10-31T19:53:00Z
dc.description.institutionPurchase College SUNY
dc.description.departmentVisual Arts
dc.description.degreelevelMasters Thesis
dc.description.advisorWarren, Sarah J.
dc.date.semesterSpring 2020
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